Hibridisasi budaya: studi kasus dua drama korea tahun 2018-2020

Dyah Ayu Wiwid Sintowoko

Abstract


Kajian tentang hibridisasi budaya Korea dalam konten drama masih diperdebatkan hingga sekarang oleh beberapa peneliti terdahulu. Penelitian ini bertujuan untuk mengetahui bentuk hibridisasi budaya Korea melalui drama The World of the Married dan Touch Your Heart dengan pendekatan teori visual lavish production. Penelitian ini menggunakan metode kualitatif dan teori lavish production untuk menemukan kesan mewah pada visual drama Korea. Karakteristik lavish production pada visual drama juga dianalisis melalui mise-en-scene untuk mengidentifikasi hibridisasi budaya Korea. Hibridisasi budaya dan kesan lavish production di dalam drama Korea tercermin melalui mise-en-ecene. Hibridisasi juga merupakan dampak dari diadaptasinya slogan Learning from Hollywood oleh sineas Korea. Adapun konsep drama trendy Korea merupakan adaptasi strategi dari Jepang untuk memunculkan kesan Asian taste. Hasil penelitian menunjukkan bahwa: (1) lavish production mengacu pada classy mise-en-scene dimana setting, properti, narasi dan gesture karakter sangat merepresentasikan perubahan teknis standar industri drama Korea menjadi cinematic orientation; (2) hibridisasi tampak pada kostum, gesture, dan beauty standart ala Western style yang didukung dengan narasi adaptasi trendy drama dari Jepang. Romantisme, non-sex dominant dan eye-contact merepresentasikan Asian sentiment karena cenderung menggunakan pendekatan estetika olah rasa; dan (3) konsep hibridisasi akan mengalami perkembangan bukan hanya di ranah budaya saja, namun juga pada produk budaya itu sendiri karena adanya persaingan global dan eksistensi Western media mainstream di Asia.


Keywords


Asian taste; cinematic orientation; drama Korea; hibridisasi budaya; lavish production

Full Text:

PDF

References


Akter, S.S. (2019.). Emergence of the “Korean Wave” and Its Influence on Bangladesh. Beppu Japan. https://ritsumei.repo.nii.ac.jp/?action=repository_action_common_download&item_id=11999&item_no=1&attribute_id=20&file_no=1. Doctoral dissertation, Ritsumeikan Asia Pacific University.

Bálint,K.E., Blessing, J.N., & Rooney, B. (2020). Shot scale matters: The effect of close-up frequency on mental state attribution in film viewers. Poetics, 83, 101480. https://doi.org/10.1016/j.poetic.2020.101480.

Bokrae, K. (2015). Past, present and future of Hallyu (Korean Wave). American International Journal of Contemporary Research, 5(5), 154-160. https://www.aijcrnet.com/journals/Vol_5_No_5_October_2015/19.pdf.

Brown, B. (2013). Camera movement. In Cinematography: Theory and Practice. A Focal Press Book, (pp. 223-240). https://books.google.co.id/books? hl=en&lr=&id=GiQlDwAAQBAJ&oi=fnd&pg=PP1&dq=Camera+movement.+In+Cinematography:+Theory+and+Practice&ots=Oxp7-qvg35&sig=h3vMkHXSCDGHveyr8HXLFzyoOpc&redir_esc=y#v=onepage&q=Camera%20movement.%20In%20Cinematogra.

Cahyowati, T.D. (2013). Simbolisasi Seksualitas Perempuan dalam Iklan “Segar Sari Susu Soda” Versi Julia Perez. Jurnal Ilmu Ekonomi dan Sosial, 343. http://puslit.mercubuana.ac.id/wp-content/uploads/2013/09/Publikasi_Jurnal-Jild-1-Nomor-3.pdf#page=114

Chuang, L.M & Lee, H.E. (2013). Korean wave: Enjoyment factors of Korean dramas in the US. International Journal of Intercultural Relations, 37(5), 594-604. https://doi.org/10.1016/j.ijintrel.2013.07.003.

Elfving, H.J. (2021). Media, cosmetic surgery and aspirational beauty aesthetics of the ageing body in South Korea. Asian Studies Review, 45(2), 238-252. DOI: 10.1080/10357823.2020.1736513.

Ganti, T. (2013). Bollywood: A guidebook to popular Hindi cinema. London: Routledge. https://doi.org/10.4324/9780203834411.

Gardner, H. (2019). The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Doctoral dissertation, http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187.

Haq, R. (2016). Penolakan Publik Jepang Terhadap Produk Budaya Korea Selatan. Jurnal Analisis Hubungan Internasional, 5(2), 344. http://journal.unair.ac.id/download-fullpapers-jahi57f51d0919full.pdf.

Hidayat, D., Rosidah, Z., Retnasary M., & Suhadi M. (2019). Nilai-nilai kearifan lokal pada unsur naratif dan sinematik film Jelita Sejuba. ProTVF, 3(2), 113-125. https://doi.org/10.24198/ptvf.v3i2.21264.

Huang, S. (2011). Nation-branding and transnational consumption: Japan-mania and the Korean wave in Taiwan. Media, Culture & Society, 33(1), 3-18. https://doi.org/10.1177%2F0163443710379670.

Iwabuchi, K. (2004). Feeling Asian modernities: Transnational consumption of Japanese TV dramas (Vol. 1). Dalam K. Iwabuchi. Hong Kong: Hong Kong University Press. https://books.google.co.id/books?hl=en&lr=&id=ba7UAQAAQBAJ&oi=fnd&pg=PR5&dq=Feeling+Asian+modernities:+Transnational+consumption+of+Japanese+TV+dramas+(Vol.+1)&ots=F6-N9rYWUf&sig=ankJtNs9tjSwyQth1Nik786_ytU&redir_esc=y#v=onepage&q=Feeling%20Asian%20m

Iyorza, S & Ekwok, L. (2014). Global media and cultural hybridization in the 21st Century in Nigeria. Journal of Social Sciences (COES&RJ-JSS), 3(3), 408-416. http://www.centreofexcellence.net/J/JSS/JSS Mainpage.htm.

Jeong, J.S., Lee, S.H., Lee, S.G. (2017). Korean Wave| When Indonesians Routinely Consume Korean Pop Culture: Revisiting Jakartan Fans of Korean Drama Dae Jang Geum. International Journal of Communication, 11, 20. https://ijoc.org/index.php/ijoc/article/view/6302.

Ju, H & Lee, S. (2015). The Korean Wave and Asian Americans: the ethnic meanings of transnational Korean pop culture in the USA. Continuum, 29(3), 323-338. https://doi.org/10.1080/10304312.2014.986059.

Kaisii, A. (2017). Globalization, hybridization and cultural invasion: Korean wave in India’s North East. Asian Communication Research, 14(1), 10-35. DOI: 10.20879/acr.2017.14.1.10.

Kim, G.E., Jo, M.W., & Shin, Y.W. (2020). Increased prevalence of depression in South Korea from 2002 to 2013. Scientific reports, 10(1), 1-9. https://www.nature.com/articles/s41598-020-74119-4.

KMCC. (2019, December 3 ). “191129 ...”. Diambil kembali dari Korean Pop Culture YouTube Channel (dalam bahasa Korea): https://www.youtube.com/watch?v=35ZMpqL32eQ

Larasati, D. (2018). Globalization on Culture and Identity: Pengaruh dan Eksistensi Hallyu (Korean-Wave) Versus Westernisasi di Indonesia. Jurnal Hubungan Internasional, 11(1), 109-120. http://dx.doi.org/10.20473/jhi.v11i1.8749.

Lee, Y.L., Jung, M., Nathan, R.J., & Chung, J.E. (2020). Cross-national study on the perception of the Korean wave and cultural hybridity in Indonesia and Malaysia using discourse on social media. Sustainability, 12(15), 6072. https://doi.org/10.3390/su12156072.

Li, J. (2016). A Cultural Hybridization Perspective: Emerging Academic Subculture among International Students from East Asia in U.S. Universal Journal of Educational Research, 4(9), 2219. DOI:10.13189/ujer.2016.040934.

Lintang. (2020, Mei 16). Adaptasi, Ini Perbedaan The World of the Married dan Doctor Foster. Diambil kembali dari Oke Celebrity: https://celebrity.okezone.com/read/2020/05/16/598/2214989/adaptasi-ini-perbedaan-the-world-of-the-married-dan-doctor-foster

Media Indonesia. (2020, Mei 17). ‘The World of the Married’ is the most-watched drama on Viu . Diambil kembali dari Media Indonesia. 24 April 2020: https://mediaindonesia.com/hiburan/307152/drakor-a-world-of-married-couple-paling-banyak-ditonton-di-viu

Nugrahani, F & Hum, M. (2014). Metode penelitian kualitatif. Solo. : Cakra Books. http://digilibfkip.univetbantara.ac.id/materi/Buku.pdf.

Nuraryo, I. (2019). Kultur pop dan diskursus ideologi kecantikan pada iklan di televisi. ProTVF, 3(2), 171-184. https://doi.org/10.24198/ptvf.v3i2.21488.

Pratiwi, J. (2017). Depth of Field: Sebuah Telaah Historis Ruang Ketajaman. IMAJI: Film, Fotografi, Televisi, & Media Baru, 9(1), 30-36. https://www.academia.edu/download/57375439/Depth_of_Field_-_Sebuah_Telaah_Historis_Ruang_Ketajaman.pdf

Putri, I.P., Liany, F.D.P., Nuraeni, R. (2019). K-Drama dan penyebaran Korean wave di Indonesia. ProTVF, 3(1), 68-80. https://doi.org/10.24198/ptvf.v3i1.20940.

Rachmawati, I. (2019). Film Sebagai Diplomasi Budaya. Jurnal Studi Diplomasi Dan Keamanan, 11(1). https://doi.org/10.31315/jsdk.v11i1.2916.

Shim, D. (2020). Transnational Koreans in Asian Pop Culture in the Pre-Korean Wave Era. Asian Communication Research, 17(3), 55-83. DOI:10.20879/acr.2020.17.3.55.

Sintowoko, D.A.W., Lee, Y., Lee, H.E. (2020). Cross-Cultural Difference between Female Young Adults in Korea and Indonesia in Perceiving Hijabis in the Media. International Journal of Internet, Broadcasting and Communication, 12(3), 177-188. https://doi.org/10.7236/IJIBC.2020.12.3.177.

Sintowoko, D.A.W & Sugihartono, R. (2014). Kostum Dalam Membangun Karakter Tokoh Pada Film Soekarno. Capture: Jurnal Seni Media Rekam, 6(1). https://doi.org/10.33153/capture.v6i1.725.

Syahira, H & Supratman, L.P. (2021). Representasi Ketidakadilan Gender Pada Perempuan Bercerai Dalam Drama Korea” the World Of The Married”. eProceedings of Management, 8(3). https://openlibrarypublications.telkomuniversity.ac.id/index.php/management/article/view/15011.

Tarvainen, J., Westman, S., Oittinen, P. (2015). The way films feel: Aesthetic features and mood in film. Psychology of Aesthetics, Creativity, and the Arts, 9(3), 254. https://doi.org/10.1037/a0039432.

Tjoe, F.Z & Kim, K.T. (2016). The effect of Korean Wave on consumer’s purchase intention of Korean cosmetic products in Indonesia. The Journal of Distribution Science, 14(9), 65-72. https://doi.org/10.15722/jds.14.9.201609.65.

Ulusoy, E & Lee, H.E. (2019). Effect of Gender on Character Evaluation: Factors Affecting Enjoyment. International journal of advanced smart convergence, 8(1), 214-221. https://doi.org/10.7236/IJASC.2019.8.1.214.

Viu Singapura. (2020, Maret 2). A World of Married Couple Trailer #2. YouTube. Viu Singapore. Diambil kembali dari When your world comes crashing | A World of Married Couple Trailer #2 | Now on Viu: https://www.youtube.com/watch?v=MtiPX82dkus

Zahra, R.U. (2017). Representasi Unsur-Unsur Budaya Western Pada Korean Wave (Studi Analisis Semiotika Pada Video Musik Youtube Girlband Korea 2NE1). Malang. https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=Representasi+Unsur-Unsur+Budaya+Western+Pada+Korean+Wave+%28Studi+Analisis+Semiotika+Pada+Video+Musik+Youtube+Girlband+Korea+2NE1%29+%C+Universitas+Brawijaya%29&btnG=: (Doctoral dissertation, Universitas Brawijaya).




DOI: https://doi.org/10.24198/ptvf.v5i2.31687

Refbacks

  • There are currently no refbacks.




Copyright (c) 2021 Dyah Ayu Wiwid Sintowoko

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

ProTVF Indexed by:

    

Editorial Office of ProTVF:

Faculty of Communication ScienceUniversitas Padjadjaran
Jl. Raya Bandung-Sumedang Km. 21 Jatinangor, Sumedang, Indonesia 45363
WhatsApp: +6283111519064 (Anggi Lestari)

Telephone: +62227796954
Faximile: +62227794122
E-mail: jurnalprotvfunpad@gmail.com


 

ProTVF Supervised by:

View My Stats