Rethinking National Identity Construction Through Independent Films In Indonesia Creative Industry

Idola Perdini Putri, Ellisha Nasruddin, Juliana Abdul Wahab, Iis Kurnia Nurhayati

Abstract


Background: The creative industry in Yogyakarta, since the post-reformation era, specifically the independent film industry, has been producing films that challenge the meaning and interpretation of national identity in its society. Yogyakarta independent films offer different discourses concerning the constructions of national identity. Thus, within this current context of the post-reformation era, the notion of national identity needs proper scrutiny. Purpose: The main purpose of this study is to define and understand the manifestations of Indonesian national identity as depicted in independent films during the post-reformation era within Yogyakarta’s creative city, utilizing Benedict Anderson’s (2006) imagined community concept. Methods: This study conducted a qualitative research methodology using the text analysis of four selected independent films and in-depth interviews with 27 informants located in Yogyakarta. The primary source of the data collected in this study were the textual analyses and the in-depth interviews. Results: The results of this study indicate that within the horizontal comradeship dimension, the notion of multiple interpretations of national identity was highlighted through the issues on the diversity of ethnic identity, modernization, Islamic fundamentalist organization, the promotion of local language, and community attachment to the nation’s symbols. Meanwhile, in the context of the geographical boundaries dimension, the regional attachment within the territory where the communities live implied the important role of the Yogyakarta Monarchy system and as a sovereign power of a Special Region in influencing the diverse interpretations of national identity. Implications: The findings indicated that the past historical meaning of Pancasila, which underscored a requirement for homogeneous identities within the society, contrasted with the evidence found, which demonstrated the evidence of diversity or heterogeneous identity.


Keywords


Independent film; creative city; imagined communities; collective memory; geographical boundaries

Full Text:

PDF

References


Anderson, B. (2006). Imagined communities: Reflections on the origin and spread of nationalism. Verso books.

Baumgärtel, T. (2011). Imagined communities, imagined worlds: Independent film from Southeast Asia in the global mediascape. Transnational Cinemas, 2(1), 57–71. https://doi.org/10.1386/trac.2.1.57_1

Bechhofer, F., & McCrone, D. (2013). Imagining the nation: Symbols of national culture in England and Scotland. Ethnicities, 13(5), 544–564. https://doi.org/10.1177/1468796812469501

Berry, C. (2016). Pema Tseden and the Tibetan road movie: space and identity beyond the ‘minority nationality film.’ Journal of Chinese Cinemas, 10(2), 89–105. https://doi.org/10.1080/17508061.2016.1167334

Crane, D. (2014). Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film. International Journal of Cultural Policy, 20(4), 365–382. https://doi.org/10.1080/10286632.2013.832233

Hansen, L. F. (2015). Circassian: Digital Capitalism and New Transnational Identities. Journal of Caucasian Studies, 1(1), 1–32.

Harman, S. (2016). Stuart Hall: Re-reading Cultural Identity, Diaspora, and Film. Howard Journal of Communications, 27(2), 112–129. https://doi.org/10.1080/10646175.2016.1148651

Hidayat, H. N., Sudardi, B., Widodo, S. T., & Habsari, S. K. (2021). Menggali Minangkabau dalam film dengan mise-en-scene. ProTVF, 5(1), 117. https://doi.org/10.24198/ptvf.v5i1.29433

Higgs, P., & Cunningham, S. (2008). Creative Industries Mapping: Where have we come from and where are we going? Creative Industries Journal, 1(1), 7–30. https://doi.org/10.1386/cij.1.1.7_1

Hoesterey, J. B., & Clark, M. (2012). Film Islami: Gender, piety and pop culture in post-authoritarian Indonesia. Asian Studies Review, 36(2), 207–226. https://doi.org/10.1080/10357823.2012.685925

Holland, T. (2012). Television Nations: Imagined Communities in the Simpsons. https://ro.uow.edu.au/tharts

Hoon, C.-Y. (2006). Assimilation, multiculturalism, hybridity: The dilemmas of the ethnic Chinese in post-Suharto Indonesia 1. Asian Ethnicity, 7(2), 149–166. https://doi.org/10.1080/14631360600734400

Huang, Y. F., Chen, C. J., & Chang, H. H. (2009). A multiple criteria evaluation of creative industries for the cultural creativity center in Taiwan. International Journal of Entrepreneurial Behaviour and Research, 15(5), 473–496. https://doi.org/10.1108/13552550910983031

Khatib, L. (2006). Nationalism and Otherness: The representation of Islamic fundamentalism in Egyptian cinema. European Journal of Cultural Studies, 9(1), 63–80. https://doi.org/10.1177/1367549406060808

Martin-Jones, D. (2006). Deleuze, Cinema and National Identity Narrative Time in National Contexts. Edinburgh University Press

Maxwell, A. (2005). Multiple nationalism: National concepts in nineteenth-century Hungary and Benedict Anderson’s “Imagined communities.” In Nationalism and Ethnic Politics (Vol. 11, Issue 3, pp. 385–414). https://doi.org/10.1080/13537110500255619

Maxwell, R. (2006). Muslims, South Asians and the British mainstream: A national identity crisis? In West European Politics (Vol. 29, Issue 4, pp. 736–756). https://doi.org/10.1080/01402380600842312

Ortmann, S. (2009). Singapore: The Politics of Inventing National Identity. Journal of Current Southeast Asian Affairs, 28(4), 23–46.

Phillips, T. (2002). Imagined communities and self-identity: An exploratory quantitative analysis. Sociology, 36(3), 597–617. https://doi.org/10.1177/0038038502036003006

Putri, I. P., Liany, F. D. P., & Nuraeni, R. (2019). K-Drama dan Penyebaran Korean Wave di Indonesia. ProTVF, 3(1), 68. https://doi.org/10.24198/ptvf.v3i1.20940

Raju, Z. H. (2015). Bangladesh Cinema and National Identity In Search of the Modern?. Routledge

Semikhat, E. I. (2010). Gender specifics of national imagery in soviet film, or national identity in mass culture. Anthropology and Archeology of Eurasia, 49(2), 76–83. https://doi.org/10.2753/AAE1061-1959490205

Sidorenko, E. (2013). Identity, youth and post-modern social landscapes. https://www.researchgate.net/publication/357775936

Utomo. D. (2009). Arsip as national identity : case of indonesia. International Council on Archives Congress.

Vedina, R., & Baumane, I. (2009). The construction of national identity among minorities and its manifestation in organizations: The case of Latvia. Baltic Journal of Management, 4(1), 94–105. https://doi.org/10.1108/17465260910930476

Wurgaft, L. D. (1995). Identity in World History: A Post-modern Perspective. History and Theory, 34(2), 67. https://doi.org/10.2307/2505435




DOI: https://doi.org/10.24198/ptvf.v7i2.41905

Refbacks

  • There are currently no refbacks.




Copyright (c) 2023 Idola Perdini Putri, Ellisha Nasruddin, Juliana Abdul Wahab, Iis Kurnia Nurhayati

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

ProTVF Indexed by:

    

Editorial Office of ProTVF:

Faculty of Communication ScienceUniversitas Padjadjaran
Jl. Raya Bandung-Sumedang Km. 21 Jatinangor, Sumedang, Indonesia 45363
WhatsApp: +6283111519064 (Anggi Lestari)

Telephone: +62227796954
Faximile: +62227794122
E-mail: jurnalprotvfunpad@gmail.com


 

ProTVF Supervised by:

View My Stats